Kairagi Small Plate IV url-kerry-seaton The form size material and

The form size material and method of creating a hand-build piece guide the rhythm of its making

Hand-thrown in Paraskevas studio glazed internally leaving an unglazed exterior

"I throw on the wheel the pieces are often left unglazed to reveal the soft porcelain surface

Hand carved in his studio in South Korea this tray is raised on four sculpted feet in Cherry wood and the surface is textured with the marks of the making process

Kairagi Small Plate IV url-kerry-seaton The form size material andA textured plate thrown by hand in Akiko's London studio, with layers of gentle crackle glaze. Each piece has a unique surface that illustrates the element of chance that is central to her processes. Made to be used. "Today, much of industrial production values consistency, precision and control. My work moves in the opposite direction, embracing variation as an essential part of making. I am currently researching why certain forms of fluctuation and